Where is my car?!


In this busy schedules of everyone's going forget,to blocked and needs to restart.  The accumulated commitments, bosses, kids, bills, loans, problem - full madhouse. Often we forget things - phones, keys , wallets... Small things without which we can not. Has it ever happened to you to forget your car? Personally, I forgot where I parked several times.


The first time I was shocked. I had to go to another city for work. Like any woman, I have the ability to late. And just , because a lot of hurry. When the GPS led me to selected destination, I parked the car and quickly I started looking for the exact location of the building where I have a work. I finally succeeded! I found the place! After a few hours I was ready to go back to my town. Then I realized - I had no idea where I parked! I started to walk around the neighborhood. I ask yourself: "Why I not remmember exactly where I park?", "How I can lose such a big thing?", "Why this happening to me?". I wandered around an hour. Desperate I sat on a bench. I sit and "play" with the car keys. I pressing the buttons on the key. At that moment I heard the alarm on some car. I turned around and what to see! She is! My car! I was so happy that I've found it! Now I could go home. I promised myself , that from now on I will be more careful and never I will lose my car again! Of course, this does not happen! Never say never!


You can see another funny story ,by clicking on the picture! 

Photo Modeling - Inside Advice From Industry Pros


The head must be considered for photo modeling from two different aspects: 1. its general form and a couple of. its specific expression.


First, allow us to consider the physical kind of the head in the completed picture. This is a result, not only of the particular form of the head, but its particular view from the camera.

The least movement from the head produces marked modifications in its countless planes. For this reason, complete and mutual understanding has to be established between director and model regarding the exact position meant through the commonly used terms, full-face, profile and three-quarter head.

Full-face - means a full-faced take a look at the head. Other terms used are: front-view, full-face angle and full front-view.

Three-quarter head - is known as ¾ turn, ¾ view, ¾ angle, ¾ face, ¾ face position or sometimes a forty-five degree head. These terms are likely to be applied to all intermediate positions between full-face and profile. However, people who like to split hairs designate the positions between ¾ head and profile as ¼ profile, ½ profile, split profile and 7/8 turn. People who make this distinction, usually call the job to the front from the ¾ head a 5/8 turn.

Profile - or full side check out the face is also called side position, side view, full profile, full turn, 90 turn, ½, view or ½ face view.

A difference from one basic view to another may be accomplished by moving the camera station, but most frequently it is the model who is necessary to move into position. Because the terms are established regarding the model's movement, let us look at the movements that make these positions and subsequent views possible.

bring the pinnacle into almost any desired position. Once the camera is stationary, the model can go on to a slight or great degree in three directions. These movements are conversant to all of us. By establishing terms for these movements when photo modeling, we set happens for understanding and team leadership between director and model. The terms are horizontal turn, vertical lift (or drop) and diagonal tilt. These movements can be utilized singly or in a mixture of two, and, perhaps, all three.

The horizontal turn
Once the body faces your camera, the head can turn from one shoulder to the other presenting many views: right profile; ¾right view, full face, ¾ left view and left profile. As one shoulder moves outside the camera, some views drop off, while others become possible - including ¾ back and back-view. These back views are widely-used to display hairstyles, back detail or draw the viewer's awareness of something other than the face. A horizontal turn of the head may be requested in two ways by the director. He may say, 'Turn your brain to the right', or 'I would like left profile', both of which requests brings the left side from the model's face to the camera's view.

Vertical lift or drop...
will be the upward or downward movement with the tip of the nose while on an imaginary line perpendicular for the shoulder track.

Diagonal tilt...
will be the slant of the head that puts the chin on one hand of this perpendicular line and the top of the head on the other.

The contour of the image is altered with the vertical lift, through the vertical drop and, to a lesser degree, with the horizontal turn. Also, an appearance of ease and interest rates are added to the face through the tilt.

Head placement could be the basis for exaggerating or normalizing head structure and facial characteristics.

A round face looks oval to the camera in a ¾ view. A lengthy face can look round in full-face view if the chin is lifted.

An unconventional feature, such as a prominent chin or forehead can be minimized by tilting it outside the camera. A receding chin appears normal if it's extended toward your camera. The slightest movement makes a difference!

A good model understands the result these different positions can have when she is photo modeling.